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And then WH Smith said they weren’t going to.” “Woolworths at that point said they weren’t going to stock it, and Woolworths at the time were massive. The press did indeed know right away, and before the film came out the News of the World revealed the fact that The Lovers’ Guide featured porn stars. We had done very wholesome stuff, so doing this was breaking new ground.” We didn’t know that, but the press knew right away. “One of the guys, the one who stands up to masturbate – Marino – was an adult film professional.
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“There were a couple of people, who were supposed to be a couple and weren’t,” Page says. The Duffields weren’t the real problem, though. They later appeared on Desmond Morris’s The Human Animal making love with tiny cameras inside them to show the processes at work. Chief among them were Tony and Wendy Duffield, former patients of his, who went on to be the Brad and Angelina of the sex ed video market. Breathing quickens and the nostrils flare” – and he both co-wrote the script and helped recruit the film’s stars.
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As arousal increases, so does heart rate. Tissue within the penis fills with blood, making it stiffen. It’s Stanway who gives the clinical narration – “The clearest sign of male sexual arousal is an erection. He reminded me of a bad magician with a ‘look into my eyes’ hypnotic stare.” “He had greying, curly, fair hair, a pointy nose and beady eyes. “He was a quite tall, wide man, with huge hands,” says Simon Ludgate, who was hired as director. Instead he turned to Andrew Stanway, another veteran “sexologist”, with a string of books to his name (Stanway did not respond to requests for an interview). Page wanted Alex Comfort, the author of The Joy of Sex, to be the doctor, but Comfort’s publishers rejected the idea. It was not, in short, to be a mucky film, regardless of what its viewers might use it for. There was to be no lingering on the explicit shots. The script had to be approved by a reputable organisation. Photograph: Evening Standard/Getty Imagesįerman laid down conditions. He wanted to show the things that even films made for sex shops couldn’t show, and he wanted to show them in a film that would get an 18 certificate and be sold as a VHS tape on the high street.įilm censor James Ferman.
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You wouldn’t let me make one about sex, would you?’ He said, ‘What would you want to show?’ I went, ‘Men and women, with actual intercourse.’” Page wanted to show oral sex. “I went, ‘You know all these how-to videos? There’s this area of life that we don’t talk about. “I was talking to the great James Ferman,” Page says, talking from New York, where he now lives, “and he went, ‘There’s only one law, and it’s called obscenity and it’s that which will deprave and corrupt.’ He said, ‘I see nothing depraving or corrupting in a man pulling a condom on in this era. The censor – James Ferman, the director of the British Board of Film Classification from 1975 to 1999 – took care of the first issue. The second was that Page had no interest in making a film about penises. The first was that no erect penis had been shown on screen in Britain.
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The producer was a man called Robert Page, who had been approached by Virgin – which had recently started making condoms – to make a sexual health film for men that explained how to use one.
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The revolution’s unlikely figureheads were a film producer who had been making how-to videos about gardening and pets and cooking, and a 56-year-old doctor, while their ally was an American former TV and theatre director who had become Britain’s chief film censor. T he second sexual revolution began 30 years ago, on 23 September 1991, with the release of an educational videotape called The Lovers’ Guide.